Press Package Three Rivers Artists' Biennial STUDIO TOUR 9 Three Rivers, California, is found near the main entrance to Sequoia National Park, half way between Los Angeles and San Francisco, east of Visalia on Highway 198. website threeriversartstudiotour.com Download pdf file of Studio Tour poster, 8.5 X 11 inches. Scroll down for specific information about each of the 21 artists on the Studio Tour. Tickets are available at the Art Co-Op in Three Rivers and at Arts Visalia, 214 E. Oak Street in Visalia or by calling 559.561.4671. You can also email a request for tickets. Please include name, address and phone number. You will be called back to get your credit card number. Also, put Studio Tour in your subject line. The Studio Tour was started in 1994, and is held every other year. STUDIO TOUR 9 is expanding to a three day event. Most of the artists will have their studios open on Friday, but not all of them. Studios that will be open on all three days will designated in the guidebook. Studio Tour tickets will be redeemed for name badges, which allow you entry to twenty one artists’ studios from 10 am to 5 pm on Friday, Saturday and/or Sunday. The self-guided tour starts at the Three Rivers Historical Museum and Visitor Center (formerly Gallery 198) located on the right hand side of HWY 198 in Three Rivers. Look for the big Paul Bunyan statue and a sign that says "studio tour starts here." At the Historical Museum, you will exchange your ticket for your map, guidebook, and name badge. The Historical Museum and Visitor Center will be open from 9 am to 5 pm on all three days. You may wish to treat yourself and stay in Three Rivers for the weekend, so you can liesurely visit all the studios on all three days. You could choose to stay in one of the fine lodging accommodations in Three Rivers. Look at the “location” page for a list of lodging suggestions, some will have special studio tour rates. Also, some eateries have tour specials. These specials will be posted soon on this website. |
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"The Creative Life" a group exhibition by the Studio Tour artists |
Rick Badgley "I am a woodworker/craftsman and have lived in Three Rivers for over 30 years. I build custom furniture in the style of, and using the tenets of, Gustav Stickley and the Arts and Crafts Movement." RB Woodworking is owned and operated by Rick Badgley, who has designed and crafted custom woodworking projects for thirty years. Working out of his one-man shop, located in Three Rivers, California, in the foothills of the Sierra Mountains, Rick has produced pieces for a diverse clientele. While still producing custom works, today RB Woodworking focuses on quality reproductions or modified Art & Crafts style furnishings. Rick Badgley is passionate about continuing the legacy of this era and its master craftsmen, creating beautifully hand-drafted pieces for his clients' homes. He has long been attracted to the strong, simple lines of Gustav Stickley's masterpieces, and many of his furnishings are original Stickley designs. In the tradition of these artisans, Rick began by individually selecting the quartersawn white oak to be used on a piece. The finishing process includes fuming and staining for color with hand-rubbed oil and wax finishes. Seat cushions are natural leather, and hardware is hand-hammered copper supplied by arts and Crafts Hardware. When creating reproductions, Rick can work from actual dimensions or extrapolate them from photographs, but it is his intention to always maintain the integrity of the original piece. If a custom design is requested, or if a client requires a specific piece to fit their collection, the process involves a simple phone call. All calls are welcome. |
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![]() Arts and Crafts style bench with storage area under seat. |
![]() Cellaret |
![]() Stickley bow arm chair |
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Anne Birkholz |
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Schedua Box |
![]() Chinaberry vase |
![]() Bastone walnut bowl |
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Anne's South Fork Studio |
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Jana Botkin "Living in Three Rivers means that my camera is often in my pocket while I am walking, because everywhere I go, I see subjects to paint. It has always been my goal to represent the beauty of Tulare County in my artwork. One of the most prestigious honors I have ever received was to be invited to paint an ornament for the White House Christmas Tree in 2007. I credit Mr. Tom Stroben with teaching me to draw in 6th grade at Ivanhoe Elementary School; his attention to detail and specific instruction started me down the path of realism. In addition to painting and drawing, I am an avid knitter; I think of it as "cross training"! |
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![]() Sunny Sequoias VII, oil |
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![]() Kaweah River VI, oil |
![]() Wilsonia Cabin, graphite on paper |
![]() mural on Jana's studio wall |
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Carole Clum |
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![]() Magical Greek Horse |
![]() Drummer |
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![]() Carole's studio |
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Elsah Cort |
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![]() swinging in the back yard of studio |
![]() collage from The Other Shore series |
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Nikki Crain |
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![]() Nikki at her loom |
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![]() blue jean placemats in the making |
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![]() hand dyed yarn for weaving |
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James Entz Member of Fig Tree Gallery March exhibition at Fig Tree Gallery, March 4-28, 2010. James Entz’s exhibition of new work (sculptural paintings and some writings) explores the idea of water as the vehicle of the aqueous medium he works in, as a metaphor for the most valued aspect of his studio practice, “the creative flow–those moments of working transcendence,” as he says, and as the scarce resource and commodity that pervades California politics. “We are running our rivers dry here in the west,” says Entz. “We import water as the fuel for population and economic growth, and mine our groundwater as we did oil in the last century, at an unsustainable rate.” Though Entz recognizes that water is “captured, diverted, and harnessed for human purposes, especially here in the Southwest”, he sees that, “water has carved this landscape, and continues to be a transformative presence in nature, transporting us out of the mundane disconnections of our modern world into nature’s flow. We live in aqueous bodies; our planet is an aqueous body; it seems that water and its qualities are our nature.” In many ways, the topological paintings and writings in this exhibition have water as their source: celebrating, revealing, and reflecting water’s hard realities and unique qualities. Living in the Kaweah River watershed in the Southern Sierra gives Entz a unique perspective on water use–from wild river to dam to irrigated farmland of the Central Valley. |
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Aranga Firstman Participating in the Society of Layerists In Multimedia web gallery show,show will be up thru the end of March. Webmaster for Arts Alliance of Three Rivers artsthreerivers.org |
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![]() The Journey is Everything, Aranga's studio entrance |
![]() painting in progress |
![]() Aranga in her studio |
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John Griesbach |
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Anne Rudisill Haxton Haxton is the featured artists for STUDIO TOUR 9. |
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![]() Anne in her studio |
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Nancy Jonnum |
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![]() right: Nancy describes sculpting process in her studio |
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Shirley A. Blair Keller My Ink Quilts came in a dream after writing the story of how I met my 1st husband's grandmother. She said in the first minute, "I remember the day slavery ended. I was five years old." I was 18. The thought that she, a wizened old woman could be someone's property horrified me. 30 years later, writing her story, I dreamed seeing a quilt on the wall of a museum, but it was not cloth, but 8x10 multi-media collages that illustrated the chapters of the memoir I was writing, each framed in white wood frames. The next morning I began to make them. My interest in photography began when my present husband gifted me a digital camera about three years ago. Positive responses to my work encouraged me to take it seriously. I have won prizes for my photography and recycled art at the Tulare County Fair, and a Photo Contest online. I am taking digital computer graphic courses to learn more from the local college. A friend runs an Art Camp in Petaluma. A few of us from here joined others to learn clay monoprinting. We set up a workshop in Karen Kimball's home, and gather occasionally for a day, sometimes a weekend, to explore this medium. I love it. I did some web surfacing one day on the sun and its solar winds and how they effect earth, and lo, it inspired the clay monoprints when I next worked on them. Or a raven was squawking in the tree near us while we were eating lunch, and then the whole after noon I heard him yelling. Without realizing it, the raven appeared in the art that day, as did migrating birds that I know fly over our area twice a year, sometimes stopping. At times I am conscious of these influences, and other times surprised. Nature impinges on our life daily here in Three Rivers. The camera is near. I never open a door and just mindlessly walk outside. You never know what you will see: a rattlesnake on the porch, a bear taking a bath in the pond, a great blue heron hunting gophers on the hillside, the baby deer playing under the pomegranate trees. Or walk to the mailbox and a bobcat pops up out of the grass, and I haven't even begun with the variety of birds that love Spirit Hill as much as I do." EXIBITIONS |
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![]() photograph of fish-rock near Lake Kaweah as you enter Three Rivers (originally painted by local artists, Jim Entz and Gary Cort some time in the early 90's) |
![]() photograph of Yokohl Valley |
![]() Shirley's painted recycled objects |
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![]() Shirley in her studio |
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![]() outside wall of studio |
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Eddie McArthur website artbyeddie.net The love of animals led me to sign up for a sketch class at the San Diego Wild Animal Park because it offered the opportunity to get up close and personal with some of the animals. Not only did I love getting to know unusual animals like a Binturong, but I also discovered I could actually draw! Everything took off from there. Along the way I’ve continued to follow my instincts. For instance, I signed up for a one day workshop in pastels though I’ve never had a particular interest in that media. Wow! I was suddenly transported to a different world of vivid color, the possibility of mixed media, etc. Eddie McArthur was born in Illinois and raised on a farm. After attending local schools with no art programs available she attended Western Illinois University to major in English/Psychology. Although she had sketched and "played" at art since childhood, work, family and life took over and art was put aside for decades. Ms. McArthur finds it difficult to categorize herself or her work. Painting in watercolor, acrylic, and mixed media; experimenting with different papers and canvases; addressing subjects from landscape to thought, she tends to work in the media and style that feels right for what she is doing. Eddie's works are in private collections from New York to California. She does a rare commission, mostly portraits of pets or very young children. Recent Shows/Exhibits Inspiration Quote |
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Wendy McKellar |
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Judy Miller |
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![]() Judy in her rock cutting studio |
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![]() raw materials |
Armin Pfadisch |
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![]() Armin in his studio |
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Marn Reich |
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![]() One of Marn's famous teapots |
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![]() Marn in her Studio |
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Mona Fox Selph I attended University of South Carolina 2 1/2 years (beginning at age 17); attended California State University, Northridge and finished master's degree in June, 1981. I have attended some good workshops, especially out of doors. I worked as presentation artist for 2 Hollywood design firms while in school. I worked as freelance artist for several firms in Tulare and Fresno Counties. I did newspaper advertisement illustrations, logos, etc. and special commissions, cartoons for Sequoia Park newspaper, and two murals for the Tulare County Historical Museum at Mooney Grove, Indian room. I was a substitute teacher for several schools and curriculum developer and art teacher for Three Rivers School for 17 1/2 years. I also taught at other schools including Sundale and Strathmore for 3 years. I taught in Tulare County Artists in Schools program for many years, at the College of the Sequoias for 18 years and at the Creative Center for the Developmentally Disabled for 7 years." |
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![]() Mona showing new work. |
![]() Mona at the entrance to her studio. |
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George Smith |
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![]() salt glaze |
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![]() George with fire pit kiln |
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Tina St John member of The Art Co-Op Gallery |
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Martha Widmann "The nature of my work is hopefully a honest expression of my internal process as a human being. It isn't easy for me to come to paint altho when I am painting, I am completely at home there. I really try to honor what shows up and how it shows up an I trust the universe perhaps more than I do myself. Once I can disarm the fear of not being good enough, I settle into the process and am at peace with what I discover. Maybe it is therapy, maybe not, but I know I am changed by the process of painting and with each painting. Mostly have shown my work in the Three Rivers Studio Tour. Also have shown with two other women at the Court House Gallery in Exeter. It causes some angst as I don't paint fast and I am not prolific so I looked at that as a great experience and learned a great deal from it. Other influences have been - As a child growing up I was profoundly moved by Georgia O'Keeffe. not just by her paintings but how she lived her life. I felt a kinship to her emotionally and life perspective. I felt as if there was someone out there who understood how I saw the world around me but I always struggled with being able to express myself...I could relate but couldn't see my own "self" to express. I think moving to Three Rivers put me back in touch with nature so I could start to see my self better - I started to ride horses and that full body way of communication opened me up and I started to feel like I did when I was a little girl- imagining and playing in what I was imagining. The horse then started to show up in my paintings and I've been working with these images for the last six years. I have several artist friends who paint full time that I truly admire and see their process which is a beautiful gift for me...Daniel Nevins is one and Jim Entz is another. I vacillate between feeling like an artist and then not...and when I am working graphically, all I tend to think about is how much I want to be painting. and once I begin to paint again, I feel like a painter. I am grateful for that." |
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![]() Martha's Studio |
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![]() photograph from Chief Joseph ride |
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