Press Package

Three Rivers Artists' Biennial STUDIO TOUR 9
March 19-20-21 in 2010

Three Rivers, California, is found near the main entrance to Sequoia National Park, half way between Los Angeles and San Francisco, east of Visalia on Highway 198.

website threeriversartstudiotour.com
blog threeriversartstudiotour.wordpress.com

Download pdf file of Studio Tour poster, 8.5 X 11 inches.

Contact organizer, Elsah Cort, for more information.
email elsahc@dishmail.net
ph 559.561.4671

Scroll down for specific information about each of the 21 artists on the Studio Tour.
All artists are availalbe for further contact and interviews, see phone numbers and email links.
Higher resolution images can be requested for print media.
All images are approved for media use and publicity only, all copyrighted by individual artists.

twitter twitter.com/art_talk
"Art Talk" is a twitter conversation and experiment with the Three Rivers Artists. Tweets are gathered using a twitter hashtag, #art3R, and shown on the Studio Tour website page here. Visitors will be encouraged to tweet about their live impressions while experiencing the Studio Tour itself.

Tickets are available at the Art Co-Op in Three Rivers and at Arts Visalia, 214 E. Oak Street in Visalia or by calling 559.561.4671. You can also email a request for tickets. Please include name, address and phone number. You will be called back to get your credit card number. Also, put Studio Tour in your subject line.

$15/person for advance sales, $20 after March 5 and at the door. $5/child under age 12.
Personal checks, cash or MC, VISA and Discover Card accepted.

__________________________________________________________________

The Studio Tour was started in 1994, and is held every other year. STUDIO TOUR 9 is expanding to a three day event. Most of the artists will have their studios open on Friday, but not all of them. Studios that will be open on all three days will designated in the guidebook.

Studio Tour tickets will be redeemed for name badges, which allow you entry to twenty one artists’ studios from 10 am to 5 pm on Friday, Saturday and/or Sunday. The self-guided tour starts at the Three Rivers Historical Museum and Visitor Center (formerly Gallery 198) located on the right hand side of HWY 198 in Three Rivers. Look for the big Paul Bunyan statue and a sign that says "studio tour starts here." At the Historical Museum, you will exchange your ticket for your map, guidebook, and name badge. The Historical Museum and Visitor Center will be open from 9 am to 5 pm on all three days.

The artists’ studios will be open from 10-5 pm. Out of respect for the artists’ time and space, we ask for no earlybirds at the studios. All vistors must wear their name badge to visit each studio. The guidebook will tell you the number of each site, plus a description of the artist and their work, and written directions to the studio. Each studio site will be identified with a site sign and number. On the map, the Studios that offer a public bathroom wiill be marked with a "B." Some studios have limited parking areas and this will be noted in the guidebook. The Studios are located throughout Three Rivers, with the average mileage distance of 1-5 miles between the studios.

You may wish to treat yourself and stay in Three Rivers for the weekend, so you can liesurely visit all the studios on all three days. You could choose to stay in one of the fine lodging accommodations in Three Rivers. Look at the “location” page for a list of lodging suggestions, some will have special studio tour rates. Also, some eateries have tour specials. These specials will be posted soon on this website.

"The Creative Life" a group exhibition by the Studio Tour artists
January 6-29, 2010, with an opening reception on January 8, from 6-8 pm
Arts Visalia   214 E. Oak Street, Visalia CA
Open Wed -Sat from 12-5:30 pm

   

Rick Badgley
woodworking, furniture maker

website rbwoodworking.com
email rick@rbwoodworking.com
ph 559.561.4823
__________________________________________________________________

"I am a woodworker/craftsman and have lived in Three Rivers for over 30 years. I build custom furniture in the style of, and using the tenets of, Gustav Stickley and the Arts and Crafts Movement."

RB Woodworking is owned and operated by Rick Badgley, who has designed and crafted custom woodworking projects for thirty years. Working out of his one-man shop, located in Three Rivers, California, in the foothills of the Sierra Mountains, Rick has produced pieces for a diverse clientele.

While still producing custom works, today RB Woodworking focuses on quality reproductions or modified Art & Crafts style furnishings. Rick Badgley is passionate about continuing the legacy of this era and its master craftsmen, creating beautifully hand-drafted pieces for his clients' homes. He has long been attracted to the strong, simple lines of Gustav Stickley's masterpieces, and many of his furnishings are original Stickley designs.

In the tradition of these artisans, Rick began by individually selecting the quartersawn white oak to be used on a piece. The finishing process includes fuming and staining for color with hand-rubbed oil and wax finishes. Seat cushions are natural leather, and hardware is hand-hammered copper supplied by arts and Crafts Hardware.

When creating reproductions, Rick can work from actual dimensions or extrapolate them from photographs, but it is his intention to always maintain the integrity of the original piece. If a custom design is requested, or if a client requires a specific piece to fit their collection, the process involves a simple phone call. All calls are welcome.


Arts and Crafts style bench with storage area under seat.


Cellaret

Stickley bow arm chair



interior of Rick's Studio, which is half-way underground.


Stickley rocking chair.


   

Anne Birkholz
woodturning

Studio Tour website page threeriversartstudiotour.com/birkholz9.html
email anne_birkholz@nps.gov
ph 559.561.3387
______________________________________________________


"Wood is my passion. Putting a piece of wood on the lathe is like opening up a present. I can't wait to see what Mother Nature has wrapped up inside!"

Schedua Box

Chinaberry vase

Bastone walnut bowl
Anne's South Fork Studio
   

Jana Botkin
oil, graphite

website cabinart.net
blog cabinart.net/wordpress
email cabinart@cabinart.net
ph 559.561.7606

member of The Art Co-Op Gallery
__________________________________________________________________

"Living in Three Rivers means that my camera is often in my pocket while I am walking, because everywhere I go, I see subjects to paint. It has always been my goal to represent the beauty of Tulare County in my artwork.

One of the most prestigious honors I have ever received was to be invited to paint an ornament for the White House Christmas Tree in 2007. I credit Mr. Tom Stroben with teaching me to draw in 6th grade at Ivanhoe Elementary School; his attention to detail and specific instruction started me down the path of realism.

In addition to painting and drawing, I am an avid knitter; I think of it as "cross training"!


Sunny Sequoias VII
, oil

Kaweah River VI, oil

Wilsonia Cabin, graphite on paper

mural on Jana's studio wall
   

Carole Clum
clay, metal

Studio Tour website page threeriversartstudiotour.com/clum9.html
no email
ph 559.561.4661
______________________________________________________


"For thirty-five years, I have hand built stoneware sculpture, using coils and slabs of clay. They are high fired in heavy reduction. For six years, I have made found object art from old metal tools, utensils, and hardware."


Magical Greek Horse

Drummer


Carole's studio
   

Elsah Cort
collage, mixed media, watercolor, acrylic, photography, healing arts

website elsahcort.com | thedeeperwell.com
blog elsahcort.wordpress.com
twitter twitter.com/Cort_art | twitter.com/thedeeperwell
Bed and Breakfast cortcottage.com
email elsahc@dishmail.net
ph 559.561.4671
______________________________________________________


"Collage is the medium I claim as an artist.

I have lived in Three Rivers, California since 1977.  I came here often as a child in the 1950's and later as an adult to visit my grandmother, aunt and uncle who lived here.

I am the founder and the organizer of the Three Rivers Biennial Artists' Studio Tour, started in 1994.

Forty years ago, I graduated from nursing school in Atlanta.  Once a nurse, always a nurse. Reluctantly.

As a teacher and facilitator for The Deeper Well, I guide retreats about authentic work and moving beyond burnout (with CE's for California and Nevada nurses.)

Early each morning I write a 140 character burnout blip on twitter first @burnoutblip then again @thedeeperwell.  This practice was started on February 19, 2009, to get me writing (...now several blogs later.)

I also offer what is now called, life coaching, sessions for burnout processing.

Cort Cottage Bed and Breakfast is the private guest cottage I have hosted since 1986, near Sequoia and Kings Canyon National Parks.  It is located 4 miles from the main entrance to the Park.

I have practiced craniosacral work since 1998, and also feng shui (the other side of the same energy work coin.) This work has profoundly changed my life.

I love to share ideas.  My friends say I talk a lot.  I was born this way, just can't help it much.

I am now living the second half of my life-collage."


swinging in the back yard of studio

collage from The Other Shore series
   

Nikki Crain
handweaving, soy candle making

blog handweavingbynikki.wordpress.com
email weave@gotsky.com
ph 559.561.4048
______________________________________________________

"The why of how I got started weaving is still mystery to me.  On the way to and from my home, I saw the sign for the "Loom Room" on South Fork as I went past the Seaborns' Ranch in the early 80s and told my husband, "That's for me." At that time, I didn't even know what weaving entailed, only that I desperately wanted to learn. Being surrounded by the beauty of Three Rivers makes me want to create beauty. Also, the contacts I have made here (former members of the Loom Room) have helped me immeasurably. Just driving past the Loom Room seemed to plant the seed in me.

A friend showed me how to weave on a loom with a very simple demonstration. Only one formal lesson in weaving, 25 years ago, after working on my own for a year.  Otherwise, friends helped me informally and I "picked the brains" of other weavers, experimented and read and continue to read a lot. I have attended many workshops and conferences studying many aspects of weaving.

It is a great mystery to me as to why I love weaving so much.  My husband asks if it isn't extremely boring doing something so repetitive.  That has never bothered me.  I love to watch the woven piece grow under my shuttle or across one of my many looms. I like to line up the threads and make order out of the chaos that seems apparent at the beginning of a weaving project.  I have no idea why I was so drawn to it.  It seems to be a part of my DNA. Was there a weaver in my past?  A distant ancestor? I really don't know."


Nikki at her loom


handwoven kitchen towels


blue jean placemats in the making

hand dyed yarn for weaving
   

James Entz
sculptural painting, acrylic on wood

Studio Tour website page: threeriversartstudiotour.com/entz9.html
email jimentz@att.net
ph 559.561.4873

Member of Fig Tree Gallery
______________________________________________________

March exhibition at Fig Tree Gallery, March 4-28, 2010.
Artist reception on March 4 from 5-8 pm during Fresno downtown ArtHop.
644 Van Ness Ave, Fresno.

James Entz’s exhibition of new work (sculptural paintings and some writings) explores the idea of water as the vehicle of the aqueous medium he works in, as a metaphor for the most valued aspect of his studio practice, “the creative flow–those moments of working transcendence,” as he says, and as the scarce resource and commodity that pervades California politics. “We are running our rivers dry here in the west,” says Entz. “We import water as the fuel for population and economic growth, and mine our groundwater as we did oil in the last century, at an unsustainable rate.”

Though Entz recognizes that water is “captured, diverted, and harnessed for human purposes, especially here in the Southwest”, he sees that, “water has carved this landscape, and continues to be a transformative presence in nature, transporting us out of the mundane disconnections of our modern world into nature’s flow. We live in aqueous bodies; our planet is an aqueous body; it seems that water and its qualities are our nature.”

In many ways, the topological paintings and writings in this exhibition have water as their source: celebrating, revealing, and reflecting water’s hard realities and unique qualities.

Living in the Kaweah River watershed in the Southern Sierra gives Entz a unique perspective on water use–from wild river to dam to irrigated farmland of the Central Valley.

"Water,like painting, is elemental. Water is essential to life, yet it's also the vehicle that helps the paint to flow, and it's the metaphor for my creative process. "Water" is the organizing concept of the body of work I am creating, of layered sculptural paintings and writings, which will be shown at Fig Tree Gallery in Fresno in March of 2010."

ASSOCIATE PROFESSOR. Porterville College, Porterville, California. 2005 to present.
ADJUNCT FACULTY. College of the Sequoias, Visalia, California.  1988 to 2005.
•Taught studio courses--beginning and advanced drawing, beginning and advanced color and design, life drawing, and studio painting. Have taught ceramics and crafts courses. 
•Taught art history (prehistory to present) and art  appreciation courses. 
•Developed my own slide library (for use in the classroom) of over 5,000 art images. 
•Co-created and team taught a 9 unit interdisciplinary (art history, literature, and history) course on myth, which we called “Merlin, Madonna, and the Big  Bad Wolf”. Only course of its kind (a learning community) as highly integrated and as ambitious in its scope amongst community colleges in the state of California (at the time). Created the visual textbook for this course.  Received a $1000 faculty enrichment grant for the development of this new course.

EDUCATION
OTIS COLLEGE OF ART AND DESIGN, Los Angeles, California. M.F.A.  in Painting. 1986.
UNIVERSITY OF CALIFORNIA, Irvine, California. 
B.A. in Studio Art. 1983.
CUESTA COLLEGE, San Luis Obispo, California.
A.A. in Liberal Arts.  1981






Jim with new work in the making.



   

Aranga Firstman
mixed water media, collage

website arangafirstman.com | esotericgardens.com
blog arangafirstman.wordpress.com
twitter twitter.com/Firstman_art
email aranga3r@sbcglobal.net
ph 559.561.3464

______________________________________________________


"My art work revolves around my esoteric interests in in archetypes, auras, chakras, reiki, spiritual growth, and the universe. Therefore, I call my work Inter-dimensional. I had been interested in art and music in childhood. In the 1980’s I decided to renew my creative side with guitar, poetry and watercolor painting. I then experimented with oil, egg tempera, casein, chalk, and acrylic. Living in Three Rivers, thus being close to nature, allows me to re-charge the energy in my body and connect to the universe. This allows me to relax and paint. I enjoy writing poetry, playing with my guitar and designing web sites."

EDUCATION, WORK EXPERIENCE
B.S., M.S. Biological Sciences, Cal Poly-Pomona;
Ph.D. Community College Education, Nova University; Equivalency in Art
College of the Sequoias. Biology Professor (29 yrs,), Adjunct Art Instructor (3 yrs.), College of the Sequoias
(retired); conducted arts projects for children, Three Rivers School, Imagine-U- Children’s Museum, Arts Visalia, 1st Saturday Arts Market: art projects for seniors, Visalia Community Hospital

Participating in the Society of Layerists In Multimedia web gallery show,show will be up thru the end of March.

Webmaster for Arts Alliance of Three Rivers artsthreerivers.org


The Journey is Everything,
Aranga's studio entrance



painting in progress

Aranga in her studio
   

John Griesbach
oil

Studio Tour website page threeriversartstudiotour.com/griesbach9.html
email fatherjohn@stanthonyretreat.org
ph 559.561.561.4595
______________________________________________________


"These images are representative of my interest in "surf and turf" and the natural beauty of Central California's coast, valleys and mountains."


Sunrise Along White River, oil


Sunday Morning Choir, oil

   

Anne Rudisill Haxton
light sculpture, handmade paper

Studio Tour website page threeriversartstudiotour.com/haxton9.html
emailahlights@starband.net
ph 559.561.7319
______________________________________________________


"I am an artist who experiences creative periods. I am not sure if this is true for all artists, but for me, it's an exploration of all that might be possible within a specific realm. Right now I am having fun with curves and swirls."

Haxton is the featured artists for STUDIO TOUR 9.


Anne in her studio
   

Nancy Jonnum
pottery, sculpture

website bigrockpottery.com
email jonnum@sbcglobal.net
ph 559-561-3315
______________________________________________________


"I have always been interested in art and managed to fit some creative time in during all of my busy life. After retirement, I have had more time to think about my clay creations and have so many ideas for things i'd like to make that I never can make them all. So that's what my art life is about now--constantly trying to take these varied ideas and turn them into clay sculptures.

Three Rivers has influenced my art in two ways. I am surrounded by beauty, and I have good friends who support and encourage me.

I have shown my work in many galleries in southern and central California. Last spring I had the honor of having two of my pieces chosen for the California Clay Competition show in Davis. This is a statewide juried show and very prestigious in the world of clay."

Nancy graduated from the University of California at Santa Barbara with a degree in education.  She has taken pottery classes at UCSB, Rancho Santiago College, Idylwild, Gualala, Todos Santos (Baja California) and many workshops in the Antelope Valley and Mendocino. She has taught classes to children and adults and has written articles for Ceramics Monthly, Clay Times magazine and the American Ceramic Society Newsletter.



skylight in Nancy's Studio


 


entrance to Studio from courtyard




right: Nancy describes sculpting process in her studio
   

Shirley A. Blair Keller
writing, ceramics, photography, clay monoprint

blog sblaircreativeplay.blogspot.com
twitter twitter.com/Keller_art
email sblairkeller@sbcglobal.net
ph 559.561.3463
______________________________________________________


"I came to writing late in life. Journaling led to writing a memoir and child's book, with a dream of publishing both. I did self-publish a photography coffee table book: "Yokohl Valley, A Portfolio," available upon request. Mostly self taught but attended many workshops in various artistic disciplines, and local city colleges.

My Ink Quilts came in a dream after writing the story of how I met my 1st husband's grandmother. She said in the first minute, "I remember the day slavery ended. I was five years old." I was 18. The thought that she, a wizened old woman could be someone's property horrified me. 30 years later, writing her story, I dreamed seeing a quilt on the wall of a museum, but it was not cloth, but 8x10 multi-media collages that illustrated the chapters of the memoir I was writing, each framed in white wood frames. The next morning I began to make them.

My interest in photography began when my present husband gifted me a digital camera about three years ago. Positive responses to my work encouraged me to take it seriously. I have won prizes for my photography and recycled art at the Tulare County Fair, and a Photo Contest online. I am taking digital computer graphic courses to learn more from the local college.

A friend runs an Art Camp in Petaluma. A few of us from here joined others to learn clay monoprinting. We set up a workshop in Karen Kimball's home, and gather occasionally for a day, sometimes a weekend, to explore this medium. I love it. I did some web surfacing one day on the sun and its solar winds and how they effect earth, and lo, it inspired the clay monoprints when I next worked on them. Or a raven was squawking in the tree near us while we were eating lunch, and then the whole after noon I heard him yelling. Without realizing it, the raven appeared in the art that day, as did migrating birds that I know fly over our area twice a year, sometimes stopping. At times I am conscious of these influences, and other times surprised.

Nature impinges on our life daily here in Three Rivers. The camera is near. I never open a door and just mindlessly walk outside. You never know what you will see: a rattlesnake on the porch, a bear taking a bath in the pond, a great blue heron hunting gophers on the hillside, the baby deer playing under the pomegranate trees. Or walk to the mailbox and a bobcat pops up out of the grass, and I haven't even begun with the variety of birds that love Spirit Hill as much as I do."

EXIBITIONS
Unitarian/Universalist Church Art Gallery, San Francisco, 2000, Quilt Exhibit, 12 Ink Quilts shown.
Lorraine Hansberry Theater, San Francisco, Preformed short story, "Paul Robeson Remembered," 3 day run for Paul Robeson Centennial.
Arts Visalia Sofa Show for the past 3 years.
Tulare County Fair for the past 3 years: ribbons won for photography and recycled art.
Tulare Impressions Show for the past 3 years, Tulare Historical Society and Museum.
Spirit Hill Studio takes part in the First Saturday, Three Rivers.


photograph of fish-rock near Lake Kaweah as you enter Three Rivers
(originally painted by local artists, Jim Entz and Gary Cort
some time in the early 90's)

photograph of Yokohl Valley

Shirley's painted recycled objects



Shirley in her studio

photograph

outside wall of studio

photograph
   

Eddie McArthur
watercolor, acrylic, pastel, mixed media

website artbyeddie.net
blog artbyeddie.blogspot.com
twitter twitter.com/Eddie_art
original art on Etsy etsy.com/shop/artbyeddie
shop on imagekind Eddie's gallery
store on Cafepress cafepress.com/artbyeddie
emaileddiemcarthur@wildblue.net
ph 559.801.2766
______________________________________________________


"I believe we all have “art” or more truly creativity within us.  Getting caught up in the world, making a living, keeping up with the neighbors, dealing with the daily-ness of life tends to blind our eyes and stuff our ears against the possibility of living a creative life.  Perhaps the biggest bar to creativity is the fear that we’ll be laughed at.  My cure for that is to laugh at myself.   When it all becomes very serious and is all about capital-A ART, the joy is gone along with my interest. 

The love of animals led me to sign up for a sketch class at the San Diego Wild Animal Park because it offered the opportunity to get up close and personal with some of the animals.  Not only did I love getting to know unusual animals like a Binturong, but I also discovered I could actually draw!  Everything took off from there.  Along the way I’ve continued to follow my instincts. For instance, I signed up for a one day workshop in pastels though I’ve never had a particular interest in that media.  Wow!  I was suddenly transported to a different world of vivid color, the possibility of mixed media, etc. 

Having access to the thriving arts community here – the Studio Tour, Arts Alliance, 1st Saturday, etc. – has given me a community of like-minded people and served to energize both my art and my life.  While I don’t do landscapes as a practice, I find the majesty and strength of the mountains to be calming.  For me – my art and my Life – staying grounded with Mother Earth is essential, and living here is conducive to that path."

Eddie McArthur was born in Illinois and raised on a farm. After attending local schools with no art programs available she attended Western Illinois University to major in English/Psychology. Although she had sketched and "played" at art since childhood, work, family and life took over and art was put aside for decades.
Many years later, while living in San Diego, California, Ms. McArthur happened to see an ad for a sketch class to be held at the San Diego Wild Animal Park. It was the chance to get up close and personal with animals that led this admitted animal nut to pick up a sketch book and pencils. From there passion took over.
In short order Eddie began painting in watercolor, still her favorite medium. Although she has taken mini-classes like that sketch class, she remains essentially self-taught.
Some early success offered enough encouragement for her to continue the path to where she is today.

Ms. McArthur finds it difficult to categorize herself or her work. Painting in watercolor, acrylic, and mixed media; experimenting with different papers and canvases; addressing subjects from landscape to thought, she tends to work in the media and style that feels right for what she is doing.
Ms. McArthur maintains a home and studio in Three Rivers, CA, in the foothills of the Sierra Nevada just outside Sequoia National Park. The peace, tranquility and awe-inspiring views have influenced her work. Often weather - a foothill storm, a drought decimated scene, low lying clouds - will dominate both the mood and setting of her current work.

Eddie's works are in private collections from New York to California. She does a rare commission, mostly portraits of pets or very young children.

Recent Shows/Exhibits
One-Woman Show, Geronimo Springs Museum, Truth or Consequences, NM
North County Society of Fine Arts, Open Juried Art Exhibit
Art in the Park, Balboa Park, San Diego
"Four at the Grill" show at Adams Avenue Grill, San Diego, CA
Sofa Art 2008, Visalia, CA
Three Rivers Studio Tour, March 29-30, 2008

Inspiration
Life - its impacts, its hidden turns and surprises. I love the old, the broken or the weathered. Equally I love the new beginnings and surprises. I paint the things that ask me to paint them.

Quote
We all make ART. Some just don't know it.

   

Wendy McKellar
handpainted furniture,wood etching, oil, acrylic

website rollingriverdesign.com
email3rdtimesacharm@wildblue.net
ph 559.280.5617
______________________________________________________


"I have been painting and creating ever since I can remember. Canvas paintings with oil and acrylic, and whimsical furniture are my passions. My studio displays the bold and the bright color that I love using. I believe everyone has an artistic bone in them, and someday I plan to teach in my studio."

   

Judy Miller
rock work, lapidary, jewelry

Studio Tour website page: threeriversartstudiotour.com/miller9.html
email grammajudy55@msn.com
ph 559.561.4648
______________________________________________________


"My art is enhancing the beauty that I see in rocks. I cut, trim, polish rocks, and enjoy watching them transform into unique pictures, patterns and light reflecting pieces. I am able to place these pieces in jewelry mountings, belt buckles and wind rocks."




Judy in her rock cutting studio

raw materials
   

Armin Pfadisch
woodturning

Studio Tour website page: threeriversartstudiotour.com/pfadisch9.html
email pfadisch@sbcglobal.net
ph 559.561.4064
______________________________________________________


"The bowls, shown here, are examples of the fine woods we have available for turning in this area. The richness and grain of the black walnut burl is exciting to work with. The variety and form and color in the burl of the buckeye is limitless. The potpourri bowl is wood from lemon trees planted over 100 years ago in Lemon Cove."


Armin in his studio
   

Marn Reich
clay, fabric, acrylic, monoprint

Studio Tour website page: threeriversartstudiotour.com/reich9.html
twitter twitter.com/marnrr
email marnrr@yahoo.com
ph 559-561-6276
______________________________________________________


"My primary medium is stoneware and I am known for whimsical teapots and boxes. I most recently won "best of show" at the Tulare County Fair in 2009. I also work in fabric, acrylic and monoprint."




One of Marn's famous teapots

Marn in her Studio

   

Mona Fox Selph
oil, watercolor, acrylic, mixed media

Studio Tour website page: threeriversartstudiotour.com/selph9.html
email snowmoon@snowcrest.net
ph 559.561.4676
______________________________________________________


"As an art teacher for grade school to college level for eighteen years, I have taught and explored many media. Now retired, I work mainly in landscapes in oil, but continue to enjoy working in watercolor and other media, and exploring introspective themes.

I attended University of South Carolina 2 1/2 years (beginning at age 17);  attended California State University, Northridge and finished master's degree in June, 1981.  I have attended some good workshops, especially out of doors. I worked as presentation artist for 2 Hollywood design firms while in school.  I worked as  freelance artist for several firms in Tulare and Fresno Counties.  I did newspaper advertisement illustrations, logos, etc. and special commissions, cartoons for Sequoia Park newspaper, and two murals for the Tulare County Historical Museum at Mooney Grove, Indian room.

I was a substitute teacher for several schools and curriculum developer and art teacher for Three Rivers School for 17 1/2 years.  I also taught at other schools including Sundale and Strathmore for 3 years.  I taught in Tulare County Artists in Schools program for many years, at the College of the Sequoias for 18 years and at the Creative Center for the Developmentally Disabled for 7 years."


Mona showing new work.

Mona at the entrance to her studio.

   

George Smith
stoneware, salt glaze, pit fire

Studio Tour website page: threeriversartstudiotour.com/smith9.html
emailddelectricmtr@aol.com
ph 559.561.3182
______________________________________________________


"My pottery consists of wheel thrown and hand built forms utilizing stoneware and porcelain clays. The pieces are fired using Cone 10 glazes, vapor and pit firing techniques."


salt glaze


right: George in the studio

George with fire pit kiln




   

Tina St John
jewelry

website tinastjohndesign.com
email tina_stjohn@yahoo.com
ph 559.561.1307

member of The Art Co-Op Gallery
______________________________________________________


"My one-of-a-kind creations are an inspiration from my heart. Each piece is designed to be classic and simple, as well as to create a feeling of well-being. My jewelry is handcrafted in fine silver, sterling silver, gold-filled (18kt overlay), swarovski crystal, semi-precious stones and freshwater pearls.

I've been designing jewelry since I was a young teenager. My mother was also an artist specializing in interior design and gourmet cooking. She enrolled me in a jewelry class with a designer from Denver, Colorado, who I later apprenticed with.  Further on, after traveling to India, Europe and South Africa I decided to start a business of my own. Tina St John Design was launched in the early 90's. With much trial and error, and several jewelry designing ventures I have simplified my line and way of presentation. My goal is "to design jewelry that provides a sense of well-being while making a classic statement.
 
I am developing a line that incorporates vintage and antique beads to create new modern pieces. I will use your jewelry, and/or my found beads etc and recreate new treasured jewelry. Contact me to learn more about this service and to see what I'm creating from old into new. This eco-friendly and green line is my latest venture."

   

Martha Widmann
acrylic, oil, graphic design

website marthawidmann.com
blog marthawidmann.wordpress.com
twitter twitter.com/Widmann_art
email martha@marthawidmann.com
ph 559.561.7311

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"The nature of my work is hopefully a honest expression of my internal process as a human being. It isn't easy for me to come to paint altho when I am painting, I am completely at home there. I really try to honor what shows up and how it shows up an I trust the universe perhaps more than I do myself. Once I can disarm the fear of not being good enough, I settle into the process and am at peace with what I discover. Maybe it is therapy, maybe not, but I know I am changed by the process of painting and with each painting.

Living in Three Rivers has made the process a happier one. The images that come have been less tortured, the space is more conducive for me and the energy here kinder and more compassionate. In LA it was harder for me and the images more raw emotionally, but cathartic none the less.

Mostly have shown my work in the Three Rivers Studio Tour. Also have shown with two other women at the Court House Gallery in Exeter. It causes some angst as I don't paint fast and I am not prolific so I looked at that as a great experience and learned a great deal from it.

Mainly my goal now is to address consistency and concentrate on painting regularly. To start to see what comes from that and where it leads me.

I went to SUNY Geneseo in upstate NY. I went primarily because they had the largest collection of bavarian limestone for use in lithography/printmaking, which was the direction I wanted to go with my art ... to be a printmaker.

Other influences have been - As a child growing up I was profoundly moved by Georgia O'Keeffe. not just by her paintings but how she lived her life. I felt a kinship to her emotionally and life perspective. I felt as if there was someone out there who understood how I saw the world around me but I always struggled with being able to express myself...I could relate but couldn't see my own "self" to express.

I think moving to Three Rivers put me back in touch with nature so I could start to see my self better - I started to ride horses and that full body way of communication opened me up and I started to feel like I did when I was a little girl- imagining and playing in what I was imagining. The horse then started to show up in my paintings and I've been working with these images for the last six years. I have several artist friends who paint full time that I truly admire and see their process which is a beautiful gift for me...Daniel Nevins is one and Jim Entz is another.

I vacillate between feeling like an artist and then not...and when I am working graphically, all I tend to think about is how much I want to be painting. and once I begin to paint again, I feel like a painter. I am grateful for that."


Martha's Studio


from Martha's "Little Horses" series




photograph from Chief Joseph ride